Teleidoscopic prints made through a giant kaleidoscope with a crystal ball at the bottom, that reflects whatever is around: animal skins (this season) or damascus knives blades (SS14).
Butterflies scales, animal skins, paint brushes, gold leaves, watercolor doodles, Roberto Cavalli's wold of natural inspiration. All prints strictly placed, with couture patterns.
This one is to my exact print, we worked together with Martina, in charge of Woman's prints, on the same theme.
Left, the kimono and me.
Right, my friend Gianpaolo and his shirt.
One evening, by chance, in Santo Spirito.
A lot of fun when we met, the same night, another man with the SAME shirt.
Last collection with Just Cavalli ;( It has been really fun, but I had to fly towards news adventures!
Mexican skull, Hawaiian flowers, kaleidoscopes, watercolor leopard, flamboyant feathers for the PRE collection.
Wonders of the past for the MAIN collection: Sicilian mosaics, hard stones of the Florentine Renaissance and opulent baroque.
In addition to my "Squalo" print (by the way, the first print for a Just Cavalli show I made), I took care of the placements of several other prints.
This the video of the show.
Psychedelic tropical prints on which I lost my eyes and which in the end were used to make scarves, a camouflage water lilies, 50's signatures and a super python tye and die that I love.
Psychedelic tropical prints on which I lost my eyes and which in the end were used to make scarves, a camouflage water lilies, 50's signatures and a super python tye and die that I love.
First whole collection on which I work, a titanic patchwork work based on military, ethnic decorations, knitted trompe-l'oeil and psychedelic photographed pythons.
For the main collection, my first hand-drawn scarf, vintage geometries, chiné dots, camouflage ikat and photographic fur, the basics are there for the collection!
the men's jacket + shirt
My only print for this season since I arrived at the end of the preparation of the collection.
I am also for the first time confronted with the "problem" of placement, that is to say that we must make sure that the different pieces of printed fabric that make up a printed garment (a jacket, a shirt, etc.). reform the drawing without interrupting it. Taking into account gradations and margins of seams. A delight.
Alice in Wonderland, lost in Swingin' London opticals inspired collection
- SS10
Collage of old school Gianni Versace 80's archive prints mixed with gems, tropical flowers, and colorblocking.
- resort SS10
