Psychedelic tropical prints on which I lost my eyes and which in the end were used to make scarves, a camouflage water lilies, 50's signatures and a super python tye and die that I love.
Psychedelic tropical prints on which I lost my eyes and which in the end were used to make scarves, a camouflage water lilies, 50's signatures and a super python tye and die that I love.
First whole collection on which I work, a titanic patchwork work based on military, ethnic decorations, knitted trompe-l'oeil and psychedelic photographed pythons.
For the main collection, my first hand-drawn scarf, vintage geometries, chiné dots, camouflage ikat and photographic fur, the basics are there for the collection!
My only print for this season since I arrived at the end of the preparation of the collection.
I am also for the first time confronted with the "problem" of placement, that is to say that we must make sure that the different pieces of printed fabric that make up a printed garment (a jacket, a shirt, etc.). reform the drawing without interrupting it. Taking into account gradations and margins of seams. A delight.
Collage of old school Gianni Versace 80's archive prints mixed with gems, tropical flowers, and colorblocking.
- resort SS10
Almost 10 years ago, at the moment I'm writing this... I don't even remember how my prints finished on a catwalk ahah!